Du stoepselst deine Gitarre normal in den Verstaerker ein, gehst dann mit einem Kabel vom FX-Send zum Effekt, und vom Effekt zurueck ins FX-Return. Als allgemeine Regel laesst sich noch sagen das dynamische Effekte (Wah, Zerre, Compressor) vor den Amp (also zwischen Gitarre und Amp-Input) und Modulations- sowie Verzoegerungseffekte (Chorus, Flanger, Delay, Echo) in den FX-Loop gehoeren But all operate essentially the same. First plug in your guitar, then look for your effects loop. Send (Preamp Out) Send is a signal being sent out of your amplifiers preamp. From here you will connect this to the input of the first pedal you want to add in your FX loop. Return ( Power Amp In) Return is the signal returning to your amps power stage. The cable leaving the last pedal in your loop will plug in here closing the loop
Setting up your effects loop is generally quite easy. You will see that the loop has a Send and a Return jack. Sometimes they are also labelled In and Out or pre-amp and power amp depending on the amp. You will want to make sure that you are using high quality cables to connect your effects or processor If you have an effects loop in the back of your amp, you'll see two jack sockets named 'Send' & 'Return' and they usually look like the image below. To set up your pedals in the correct order, take a look at the diagram below, as this is the recommended way to set it up. You'll need 2 extra guitar leads to do this This goes here, that goes there. Cable 1 runs from the guitar to the multi FX device's input. Cable 2 connects its FX Out to the amp's FX Return. Cable 3 connects the amp's FX Send to the multi-FX device's Loop Return. Cable 4 routes the signal back from the processor's Loop Send to the amp's Input jack KATANA-100: FX LOOP SEND/RETURN SIGNAL CHAIN LOCATION. The KATANA-100 FX Loop Send/Return is located within the AMPLIFIER EQUALIZER section of the KATANA EFFECTS CHAIN. This can be accessed and changed with the BOSS TONE STUDIO SOFTWARE. Options for CHAIN 1, CHAIN 2 and CHAIN 3 are available for selection. If you are using a LOOPER pedal (ie.
Most effects pedals do not work well in an amp's effects loop, unless the loop has SEND and RETURN level controls. With those controls, you can lower the signal to match what a stompbox expects to see. If there are no controls, the loop is probably meant for line-level rack effects units Philip McKnight demystifies the effect loop in this video. He explains its purposes, translates some of the confusing terminology (such as send, return, or—in the case of Fender amps—preamp out, power amp in), and demonstrates a handy way to lower the output of your amp using a volume pedal in the effect loop, without losing the grit of your preamp distortion Amps ohne Einschleifweg (FX-Loop): Gitarre -> Wah-Wah -> Overdrive/Verzerrer -> Chorus/Flanger -> Digital Delay -> Amp. Ein Reverb vorzuschalten hat in der Regel nur dann einen Sinn, wenn der Amp wirklich clean eingestellt bleibt, die Verzerrung sollte dann nur vom Pedal kommen. Die meisten Amps ohne Loop haben ja sowieso einen Federhall Types of effects loops. There are two main types of effects loops: series and parallel. With both, you run a 1/4″ instrument cable from the loop's send jack, through your stomp or rack effects, then back into the loop's return jack. But that's where the similarities end The Send and Return jacks on your amplifier head allow you to create an effects loop. The benefit of using a loop as opposed to connecting your effects to the input is that the effects only influence the sound once it has passed the power amp stage. The effects loop circuit is located between the preamp and power amp. This approach creates a clearer guitar signal because the guitar directly is connected to the amp. The effects loop approach gives you more control over your tone.
Effects loops are usually found on the rear side of the amplifier (not always though) and are normally identified as 'Send' i.e. Output and 'Return' i.e. Input. They tend to come in one of two varieties: a 'series' loop (all of the signal is passed through the effects in the loop) or a 'parallel' loop (part of the signal passes through only the amp, while the other part passes. The FX loop's Send-jack is placed at the end of the preamp circuit. The preamp pre-amplifies the guitar signal, which is then send on to the connected effects. Not all effects like to be fed a line level signal, though, because they are meant to be used with a direct guitar signal. Depending on the specific amplifier model a loop's Send might carry anywhere from four to ten volts. Some.
An effects loop is an audio input and output loop that is placed after the preamp and before the power amp section of your amplifier, using the Effects Send and Effects Return jacks. On some amplifiers, these can be labels Preamp Out (Effects Send) and Power Amp In (Effects Return). Not all amplifiers have effects loops, but those that do allow for you to place some of your effects within the. The ability to run guitar effects either into the Input of the amplifier, or within its Effect Loop (SEND / RETURN) circuit, gives you different tonal results. This includes a big difference in how time-based effects (such as reverbs and delays) interact with your amplifier's overdrive channel. To implement the 4 Cable Method, you'll need the following: 4 quality guitar cables. If you're. Pre amp effects >>> FX send/return block >>>> post amp effects FX Send/Return Block HX Stomp Pre amp effects >>> Amp Block >>> FX send/return block >>> Post amp effects. Doing this should get exactly what you want. It's a bit complicated, and you lose a few blocks due to FX block send/returns, so you gain a few but not as many as you'd think I recently bought a Fender Supersonic 60 that has an FX loop with adjustable send and return levels. I've never had an amp with adjustable send/return levels on the FX loop and I'm not really sure how they should be set. So far what I've found works best is to set the send level at max, then the return level at minimum or just above minimum. This pretty much gives me unity level. If I lower. The I/O 2 loop on the Axe-Fx II and AX8 can operate as an effects loop: FX Send (Output 2) and FX Return (Input 2). Alternatively, Input 2 and Output 2 can operate as auxiliary Input and Output ports. The FX Loop block (FXL) enables the effects loop on the layout grid. Possible uses: Four Cable Method (4CM) connect an additional instrument; insert an external device in the routing; duplicate.
Aux sends don't receive, they only send. Aux returns don't send, they just receive. I mentioned before that some consoles have an abbreviated channel strip to serve as the aux return. As far as being wired to do something, the aux sends act as a splitter with a volume knob. You can send a little or you can send a lot (or anywhere in between. Some delay effects have an effects loop. A loop in a delay effect is not the same as what we have been describing here. The simplest of delays would record the input signal and play it back some time later. This would give you one repeat. I used to do this with a 3-head cassette deck. If we take the output of the delay and send it back to the input we will get more repeats—this is the. . Connect the guitar to the Input port of the Boss GT-6 using an instrument cable. Connect the guitar amp to the L (Mono) output port on the GT-6 using an instrument cable. Connect the guitar effects to be used in the effects chain with pedal cables. The input port on the first effect and output port on.